PersonalT le Temps / Yousra Zein
Margem Sul
Adam / Kalam associationi-D Straight-Up!Art Basel Awards TrophyMargem Sul
PersonalElla Rumpf
Margem Sul
T le Temps / DésalpeT le Temps / DésalpeOlivier Kuhn’s son’s red little corvetteElla Rumpf / Das MagazinKalam AssociationPersonali-D Straight-Up!T le Temps / Désalpe
Personali-D Straight-Up!
i-D Straight-Up!PersonalPersonalBasileEvaPersonalAdam / Kalam AssociationT le Temps / Désalpe
Art Basel Awards Trophyi-D -Up!Margem Sul
Ella Rumpf / Das MagazinElla Rumpf / Das Magazin
Personal / Genovai-D Straight-Up!T le Temps / Désalpei-D Straight-Up!PersonalMargem SulMargem Sul
Colin Jean
Margem Sul
PersonalElla Rumpf / Das MagazinMargem Sul
i-D Straight-Up!
Art Basel Awards TrophyPersonalPersonal / NauColin Jean Exhibitions
ECAL X Jean Paul Gaultier / Under Your Smell /
Tokyo, Gallery X By Parco / 30.05–09.06.24
ECAL X Jean Paul Gaultier / Under Your Smell /
London, Saatchi Gallery / 31.05–08.09.24
ECAL X Jean Paul Gaultier / Under Your Smell /
Art Basel Miami / 02–04.12.22
ECAL X Jean Paul Gaultier / Under Your Smell /
Paris, HQ JPG / 10–12.11.22
ECAL X BLI / ENSEMBLE /
Lausanne, Grand-Pont / 04–24.09.23
ECAL X Jean Paul Gautlier / Under Your Smell /
Lausanne, Photo Elysée / 03.03–22.05.23
Rétrospective Hans Emmenegger /
Fondation de l’Hermitage / 25.06–31.10.21
Publications – Nominations
Tages Anzeiger/René Baumann
TruePicture 2026
i-D Straight-Up!
T le Temps / Yousra Zein
The Guardian
Tages Anzeiger/Ella Rumpf
PhMuseum
T le Temps / Portfolio
T le Temps / Laure Gremion
T le Temps / Désalpe
Art Basel / Awards Trophy
Dezeen / Art Basel Awards Trophy
Jessica Dreier (b.1997) is a Swiss-Portugese photographer. She began her creative journey in graphic design earning a Certificate of Federal Competence (CFC). Her true passion, however, emerged through photography, culminating in a Bachelor’s degree from ECAL. Focusing on documentary and reportage works, exemplified in “Margem Sul”, which engages with social and political realities in suburban Lisbon. Working across editorial assignments and personal projects, her practice builds on a tension between distance and intimacy, where personal implication and collective narratives intersect.